Yet “One,” with its pummeling electro riff and soaring trance synths, still stands as tall as anything that followed. The moment marks not just the ascendence of this Stockholm trio, but the beginning of Peak EDM - a moment when each artist seemed to go even bigger than the last. In Take One, Swedish House Mafia give their breakout single just that, building and building until the final drop: the track’s big debut at the Ultra Music Festival. Swedish House Mafia – “One” (2010)įew songs merit their own documentary. Synthesizer EDM Drop - Rise & Fall By EgorPetelin. With summer descending and festival season in full swing, here’s our ranked list of the best EDM bangers of the last decade. These days, the lines between dance music and pop have disappeared, and the world’s biggest DJs are just as likely to be headlining festivals as they are swank Vegas clubs.
Most folks pin it to Daft Punk’s now-legendary 2006 Coachella set, when the French robots unleashed their human-after-all dance jams from atop a glowing cybernetic pyramid, thereby turning on a new generation of mainstream festival goers to pleasures previously cordoned off to the rave tent. But something changed circa 10 years ago. The sound of EDM predates the name itself: Long before Calvin Harris was crashing Forbes lists and Diplo was hanging with Charlie Rose, DJs from Berlin to Bueno Aires were frothing clubgoers into a frenzy with beats descended from Chicago house, Detroit techno, UK garage, Balearic trance, and elsewhere.
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